Category Archives: Poetry

Poem for the Weekend

Leisure
by William Henry Davies (1871-1940)

What is this life if, full of care,
We have no time to stand and stare.

No time to stand beneath the boughs
And stare as long as sheep or cows.

No time to see, when woods we pass,
Where squirrels hide their nuts in grass.

No time to see, in broad daylight,
Streams full of stars like skies at night.

No time to turn at Beauty’s glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this if, full of care,
We have no time to stand and stare.

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Music Monday/Poem for the Week

 

Darest Thou Now, O Soul
by Walt Whitman

Darest thou now, O Soul,
Walk out with me toward the Unknown Region,
Where neither ground is for the feet, nor any path to follow?

No map, there, nor guide,
Nor voice sounding, nor touch of human hand,
Nor face with blooming flesh, nor lips, nor eyes, are in that land.

I know it not, O Soul;
Nor dost thou–all is a blank before us;
All waits, undream’d of, in that region–that inaccessible land.

Till, when the ties loosen,
All but the ties eternal, Time and Space,
Nor darkness, gravitation, sense, nor any bounds, bound us.

Then we burst forth–we float,
In Time and Space, O Soul–prepared for them;
Equal, equipt at last–(O joy! O fruit of all!) them to fulfil, O Soul.

 

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Poem for the Weekend

Upon his Picture
by Thomas Randolph (1605-1635)

When age hath made me what I am not now;
And every wrinkle tells me where the plough
Of time hath furrowed; when an ice shall flow
Through every vein, and all my head wear snow;
When death displays his coldness in my cheek
And I myself in my own picture seek,
Not finding what I am, but what I was,
In doubt which to believe, this or my glass;
Yet though I alter, this remains the same
As it was drawn, retains the primitive frame
And first complexion; here will still be seen
Blood on the cheek, and down upon the chin.
Here the smooth brow will stay, the lively eye,
The ruddy lip, and hair of youthful dye.
Behold what frailty we in man may see
Whose shadow is less given to change than he.

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Your Morning Cup of Links

OMG, you guys. Cards Against Humanity, but with Shakespeare. Be still my heart.

Here are a bunch of police officers who need to be fired.

When polarization gets dangerous

How museums have gone from being about something to being for somebody

Beach Boys song too sexually offensive for University of Kentucky

How misguided federal policies keep Native Americans trapped in poverty

Ambiance for a Victorian spirit at a bar called Oscar Wilde

LOL Shocking!

Just another attack by our friend Russia

This will be a disaster. Yet another reason to wean myself off of Facebook.

Philip Larkin gets his memorial stone at Westminster Abbey

English medieval embroidery might seem an odd subject for a book, but this is no ordinary volume.

An “essential” Goethe that is anything but

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Poem for the Week

“Winter”
by Coventry Patmore (1823-1896)

I, singularly moved
To love the lovely that are not beloved,
Of all the Seasons, most
Love Winter, and to trace
The sense of the Trophonian pallor on her face.
It is not death, but plenitude of peace;
And the dim cloud that does the world enfold
Hath less the characters of dark and cold
Than warmth and light asleep,
And correspondent breathing seems to keep
With the infant harvest, breathing soft below
Its eider coverlet of snow.
Nor is in field or garden anything
But, duly looked into, contains serene
The substance of things hoped for, in the Spring,
And evidence of Summer not yet seen.
On every chance-mild day
That visits the moist shaw,
The honeysuckle, ‘sdaining to be crost
In urgence of sweet life by sleet or frost,
‘Voids the time’s law
With still increase
Of leaflet new, and little, wandering spray;
Often, in sheltering brakes,
As one from rest disturbed in the first hour,
Primrose or violet bewildered wakes,
And deems ’tis time to flower;
Though not a whisper of her voice he hear,
The buried bulb does know
The signals of the year,
And hails far Summer with his lifted spear.
The gorse-field dark, by sudden, gold caprice,
Turns, here and there, into a Jason’s fleece;
Lilies, that soon in Autumn slipped their gowns of green,
And vanished into earth,
And came again, ere Autumn died, to birth,
Stand full-arrayed, amidst the wavering shower,
And perfect for the Summer, less the flower;
In nook of pale or crevice of crude bark,
Thou canst not miss,
If close thou spy, to mark
The ghostly chrysalis,
That, if thou touch it, stirs in its dream dark;
And the flushed Robin, in the evenings hoar,
Does of Love’s Day, as if he saw it, sing;
But sweeter yet than dream or song of Summer or Spring
Are Winter’s sometime smiles, that seem to well
From infancy ineffable;
Her wandering, languorous gaze,
So unfamiliar, so without amaze,
On the elemental, chill adversity,
The uncomprehended rudeness; and her sigh
And solemn, gathering tear,
And look of exile from some great repose, the sphere
Of ether, moved by ether only, or
By something still more tranquil.

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Poem for the Week

My Life had stood – a Loaded Gun
By Emily Dickinson (1830–1886)

My Life had stood – a Loaded Gun –
In Corners – till a Day
The Owner passed – identified –
And carried Me away –

And now We roam in Sovreign Woods –
And now We hunt the Doe –
And every time I speak for Him
The Mountains straight reply –

And do I smile, such cordial light
Opon the Valley glow –
It is as a Vesuvian face
Had let it’s pleasure through –

And when at Night – Our good Day done –
I guard My Master’s Head –
’Tis better than the Eider Duck’s
Deep Pillow – to have shared –

To foe of His – I’m deadly foe –
None stir the second time –
On whom I lay a Yellow Eye –
Or an emphatic Thumb –

Though I than He – may longer live
He longer must – than I –
For I have but the power to kill,
Without – the power to die –

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Poem for the Weekend

Ode on a Grecian Urn
by John Keats (1795-1821)

Thou still unravished bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoyed,
For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloyed,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e’er return.

O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity. Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
‘Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.’

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